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The Official David Dickinson Website
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| Bargain Hunt | Date with David | Filming Bargain Hunt | Fun at the Fair | Bargain Hunt Live | ||||||||||||||||||||||||||||||||||||||||||
| We caught up with David Dickinson while he was out and about filming the second series of the prime time edition of Bargain Hunt. We followed him shootimg the show on a cold and frosty day at The International Antique Fair at Newark in Nottinghamshire, to see how it's done. | ||||||||||||||||||||||||||||||||||||||||||||||
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David Dickinson made such a huge success of presenting daytime Bargain Hunt that a special series for a prime time slot soon followed and the series commenced in August 2002. It was an instant hit with the evening audience and the viewing figures of over 8 million were staggering. The success of the new evening editions left David with a difficult dilemma, as the sheer volume of work, filming shows for both a daytime and prime time airing became too great, (He filmed 98 shows in 2002) David had to consider leaving daytime to focus his energy on the prime time shows. He admits it was a tough decision to take to leave daytime David says "There's only one of me, I'm going to have to sadly step down from daytime tv and concentrate on making the evening shows - There's only so many hours in the day and it isn't going to be physically possible to do both." So here we are witnessing David filming the evening shows. The schedule is less hectic instead of the two shows a day he might make for daytime he now has a leisurely three and half days of filming per episode, but as he points out 'you have to add to that travelling days and time in the studio for voice overs', we get the message that it's a lot harder work than it first appears! |
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We meet up with
David for lunch in the hospitality area - a portacabin where everyone
involved in the show gathers to get warm and take refreshments. Parked
outside is the 'Duke mobile' something akin to a golf buggy that David
and the experts use to get around the huge fair quickly, although it's
remarked that David favours it as it keeps his shoes clean! Inside we
find contestants chatting animatedly and nervously about their finds,
and experts discussing the virtues of lager and smaller fairs. Phillip
Serrell tells me that the temptation at a large fair such as Newark with
such an array of goods and so many stalls , is to squander your selection
time with the idea that, 'that one's a possible, we'll 'come back to that
item later, and then of course there isn't the time to do that. At smaller
fairs you have to spot the worthier items and snap them up'. |
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The weather is cold and David
has various devices to keep his hands warm! |
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We join David and his Director (Liz Baker) with crew in tow, looking for interesting pieces of furniture to feature on the show. Then he remembers he still has ten prizes to find for the phone in competitions! (For photographs of David's search see next page). |
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| David
insists on sourcing all the items for a 'piece to camera' himself and there
are many 'maybes' along the way, large pieces of furniture and a genuine antique
confessional box gets a 'coat of looking at' . David has to take phone calls
from the press as we walk, and he reveals an uncanny knack of keeping focused
on his search for interesting antiques as he carries on in depth conversations
on the mobile. After literally hours of navigating the huge fair David decides on a 'love seat' which is for sale in one of the covered areas. Just as well as I can see it beginning to snow outside! |
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Once David's decided on a piece, he discusses with the Director how the shot is to be taken and what he is going to say. David never works to a script. He works completely ad lib, talking about the item, describing it's use or it's worth. This is how he comes across so naturally, because he is speaking as he would to an individual person not to a vast audience. | |||||||||||||||||||||||||||||||||||||||||||||
| This technique does have it's down side when a shot needs to be re filmed. Because every time David retakes the shot he uses a slightly different phrase or order of words it is necessary always to retake the whole sequence if a small error occurs as it can't be spliced in. | ||||||||||||||||||||||||||||||||||||||||||||||
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David
keeps tight control on how his 'pieces to camera' appear . He chooses the
items to be featured, and uses his own words, not a script, to describe them
to most effectively educate and entertain his audience.
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| Now he's chosen a beautiful bobbin love seat, all he needs is a beautiful girl to share it with! Luckily Mary, a | ||||||||||||||||||||||||||||||||||||||||||||||
| member
of the crew, is at hand to take up the position! David explains how in days
gone by even a couple who were officially courting weren't allowed to get too
close to one another and the young lady would require to have a chaperone on
hand at all times. The love seat allowed couples to talk closely, perhaps whisper
sweet nothings and a very bold and ardent suitor might steal a quick kiss on
the hand! David needs no encouragement from his Director to demonstrate this last action, however many takes might be involved! And this is where we leave our happy crew. It's growing dark outside and this will be the last filming of the day. We've only been with the team for half the day but we've gained a flavour of just how hard they work. Tomorrow David will be ditching the winter coat and donning white pants and a tropical shirt to film in a 'hot house' in Lincolnshire, it's nothing if not full of variety this job! |
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David happy to demonstrate the purpose of
the love seat! |
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Click Here for more exclusive photographs of David filming. Special Thanks
to Caroline Cleary and Mike Turner of DMG Fairs |
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Copyright © 2003, Fiona Scruton |
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Email me with questions, comments and suggestions fiona@david-dickinson.net
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